A photojournalist in Cold War Eastern Europe

During the 1970s and 1980s, Arthur Grace travelled extensively behind the Iron Curtain, working primarily for news magazines. One of only a small corps of Western photographers with ongoing access, he was able to delve into the most ordinary corners of people's daily lives, while also covering significant events. His remarkable book Communism(s) A Cold War Album is effectively psychological portraits that leave the viewer with a sense of the gamut of emotions in that era.

During the 1970s and 1980s, Arthur Grace travelled extensively behind the Iron Curtain, working primarily for news magazines. One of only a small corps of Western photographers with ongoing access, he was able to delve into the most ordinary corners of people’s daily lives, while also covering significant events. His remarkable book Communism(s) A Cold War Album is effectively psychological portraits that leave the viewer with a sense of the gamut of emotions in that era.

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Illustrated with over 120 black-and-white images-nearly all previously unpublished- Communism(s) gives an unprecedented glimpse behind the veil of a not-so-distant time filled with harsh realities unseen by nearly all but those that lived through it. Shot in the USSR, Poland, Romania, Yugoslavia and the German Democratic Republic, here are portraits of factory workers, farmers, churchgoers, holidaymakers and loitering teens juxtaposed with Social Realist-designed apartment blocks, annual May Day Parades, Poland’s Solidarity movement (and the subsequent imposition of martial law) and the vastness of Moscow’s Red Square.

 
 
 
 
 
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We welcome Arthur Grace to our Cold War conversation…

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Thankyou very much for listening. It is really appreciated – goodbye.

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